SKU: HL.49027119

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SKU: HL.49027132

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SKU: HL.49027116

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SKU: HL.49027115

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SKU: HL.49012305

ISBN 9790001102698. 9.0x12.0x0.139 inches.

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for singing, as is shown by reports of his contemporaries. Leopold Mozart, for example, wrote in one of his letters that he had heard a certain Nardini and that there could not be heard anything more beautiful in the tonal beauty, purity, harmony and in the singable taste.The two concertos in A major and F major consist of three movements with the traditional tempo order quick-slow-quick, each movement giving the soloist the opportunity to play a solo cadence.

SKU: HL.49001684

ISBN 9790001023146. 8.25x11.75x0.133 inches.

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for singing, as is shown by reports of his contemporaries. Leopold Mozart, for example, wrote in one of his letters that he had heard a certain Nardini and that there could not be heard anything more beautiful in the tonal beauty, purity, harmony and in the singable taste.The two concertos in A major and F major consist of three movements with the traditional tempo order quick-slow-quick, each movement giving the soloist the opportunity to play a solo cadence.

SKU: HL.49001689

ISBN 9790001023177. 9.0x12.0x0.123 inches.

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for singing, as is shown by reports of his contemporaries. Leopold Mozart, for example, wrote in one of his letters that he had heard a certain Nardini and that there could not be heard anything more beautiful in the tonal beauty, purity, harmony and in the singable taste. The two concertos in A major and F major consist of three movements with the traditional tempo order quick-slow-quick, each movement giving the soloist the opportunity to play a solo cadence.

SKU: BR.KM-2279

ISBN 9790004502402. 9 x 12 inches.

One could see icecold princes and ladies of the court weep when he played an Adagio. Tears even fell from his own eyes onto his violin while he was playing, reported an eye witness about the violinist Pietro Nardini, whose works for string instruments were hardly less celebrated than his emotional playing style. Once popular examples of light string quartets from the early classical period are available here in a reliable and fundamentally revised reprint based on the first edition (Florence, after 1770) and on a contemporary copy. The additions willfully added by Wilhelm Altmann in his edition (1937) have been eliminated and many irregularities corrected.

SKU: BR.KM-2280

ISBN 9790004502419. 9 x 12 inches.

One could see icecold princes and ladies of the court weep when he played an Adagio. Tears even fell from his own eyes onto his violin while he was playing, reported an eye witness about the violinist Pietro Nardini, whose works for string instruments were hardly less celebrated than his emotional playing style. Once popular examples of light string quartets from the early classical period are available here in a reliable and fundamentally revised reprint based on the first edition (Florence, after 1770) and on a contemporary copy. The additions willfully added by Wilhelm Altmann in his edition (1937) have been eliminated and many irregularities corrected.

SKU: UT.BS-5

ISBN 9788881095049. 6.5 x 9.5 inches.

Saggi di Lluís Bertran, Carmela Bongiovanni, Giuliano Castellani, Thomas Cimarusti, Remigio Coli, Mariateresa Dellaborra, Loukia Drosopoulou, Elisa Grossato, Germán Labrador, Priscille Lachat-Sarrete, Ana Lombardía, Alessandro Mastropietro, Tim Pack, Carolina Queipo Gutiérrez, Rohan H. Stewart-MacDonald, Christian Speck, Polly Sussex, Michael Vincent

Mit diesem fünften Band der Boccherini Studies wird, drei Jahre nach Erscheinen des vierten Bandes (New Evidence), die Reihe von internationalen Forschungsarbeiten über Luigi Boccherini in einem weiten Spektrum fortgesetzt. Ein relativ großer Teil der Beiträge — mehr als die Hälfte — widmet sich dem Kompositionsstil Boccherinis — eine Gewichtung innerhalb dieser Sammlung, die angesichts der beträchtlichen Präsenz von Boccherinis Instrumentalmusik im aristokratischen und bürgerlichen Musikleben des letzten Drittels des 18. Jahrhunderts durchaus gerechtfertigt erscheint. Und vergessen wir nicht das schmeichelhafte Urteil von Giuseppe Carpani (1752-1825), der im vierten Brief seiner 1812 veröffentlichten Haydn-Biographie die Instrumentalmusik von Luigi Boccherini immerhin mit der Bemerkung pries, kein anderer Meister seiner Zeit habe sich so gut darauf verstanden, die Begleitstimmen mit der melodieführenden Stimme zu verbinden. Möchte man nicht leichtfertig oder aus einer eklektischen Haltung heraus eine solche Stimme der zeitgenössischen Rezeption übergehen, hat man die Frage nach den konstitutiven Elementen von Boccherinis Stil, nach der Kompositionstechnik in seinen Werken, zu stellen und infolgedessen auch das kompositorische Umfeld in den Blick zu nehmen.
Am Anfang der vorliegenden Sammlung von Aufsätzen stehen daher vergleichende Untersuchungen zum Instrumentalwerk, und zwar mit Blick auf diverse, im unmittelbaren oder weiteren Umfeld schaffende Komponisten, wie Wolfgang Amadeus Mozart, Giovanni Battista Lampugnani, Pietro Nardini, Gaetano Brunetti, José Herrando, Carlo Canobbio, Antonio Montoro, , Manuel Canales, um nur einige zu nennen. Fortgesetzt wird die Untersuchung des Kompositionsstils in einer Reihe von Beiträgen zu einzelnen Gattungen beziehungsweise Werken, sowie zu Fragen der musikalischen Formgebung.
Dem Gebiet der musikalischen Quellenforschung sind vier Studien gewidmet. Sie werfen neues Licht auf vorhandene Quellen und auf den schwierigen Komplex der Boccherini-Werkchronologi e. Im Bereich der Erforschung von Boccherinis Biographie kann eine weitere Lücke geschlossen werden: erstmals wird nachgewiesen, dass der junge Boccherini sich in Frankfurt am Main aufgehalten hat, wo er ein Violoncellokonzert öffentlich zur Aufführung brachte. Schließlich folgen drei Beiträge, die sich eingehend mit der historischen Rezeption von Boccherinis Musik in Italien, Spanien und in der Neuen Welt befassen.

SKU: TM.11695SET

Score in set. Organ in score. Key of Eb.

SKU: KU.OCT-10054_VCKB

ISBN 9790206209079. Key: G major.